Spot Land: Purple Vinyl LP

GNOD, the ever-transient psychedelic musical unit from northern England with over 15 years and dozens of releases under their belt, return in 2024 with a recalibrated sound and a new sense of freedom. Spot Lands five songs are tender and detailed, unfolding slowly with wistful guitar textures, brushed drums and interjections of lap steel, piano and kalimba.As founder member Paddy Shine says, the results sound like old GNOD and new GNOD at the same time. On the face of it, Spot Land is a big step away from the intense, loud, sludgy offerings found on the groups more recent studio albums, such as 2022s Hexen Valley nevertheless, these too are heady fogs to lose yourself in, with on-record personnel starting at different points and meeting on the same wavelength. Its exploratory sense might make seasoned GNOD heads think of 2014 triple LP Infinity Machines, or really early oddities like The Somnambulists Tale from 2008, but you can also jump in right here if needs be because Spot Land has its own unique vibe too.The album was recorded in a Rochdale mill over four days in August 2023, with Paddy handling all the production and mixing the first time hes been fully in the hot seat for any GNOD release. Hes also the only member to feature on each of the five tracks, with others coming and going in suitably informal manner. Everyone Paddy, fellow GNOD founder Chris Haslam, Alex Macarte, Raikes Parade and Al Wilson plays at least two instruments over these 40 minutes. There are no vocal credits among them, but Spot Land is embellished beautifully by sampled voices, notably on the albums opening and closing pieces. Benedictine monks intone hymnally on Peace At Home, gliding over the top of jazzy, graceful desert music, while during quarter-hour ambient rock frazzler Pilgrims Progress we hear yes Christian pilgrims chanting in a church in Azores.These songs are unquestionably the product of jamming, improvisation and an open mind, with little of any of what you hear having much in the way of a preconceived structure, but dont imagine this to be self-indulgent or bloated, thanks especially to Paddys judicious editing process. Luz Natural is a beatific beatless wonder crafted from synth, piano and lap steel, a soundtrack for a rainforest located somewhere along the Pennines. Dream On is Spot Lands most rhythm-forward moment, alien-sounding synths snaking through sharply shuffling bass and drums, whereas Kapal Bhati is its height of abstraction: thumb piano, bizarro dub treatment and distant voices that could be anyone, from anywhere.Though GNODs shift in sound from album to 3 album is rarely planned too far ahead, theres been a quiet desire among the band to do something of this nature for a while. The results might confound the expectations of some listeners, but in the longer view Spot Land is liquid GNOD. The arresting cover artwork is a showcase for Chris Haslams illustrative skills; his process here, he says, was starting on something, never knowing when its complete, just when it feels finished. Like the music, really.